Posted in Architecture, Historic Preservation, News Ink, Peoples' Places, tagged Architecture, Historic Preservation, History, news, Pashkov House, Putin, Russia Moscow on May 8, 2008|
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Paskov House one of architectural jewels of Russia was under restoration for 19 years, was closed down due to its dilapidated state. Pashkov House is named after its first owner Petr Yegorovich Pashkov, the lieutenant commander of the Life Guards of Semenovsky Regiment and the son of Peter the Great’s batman.
Designed by Vasily Bazhenov (1737-1799), one of Russia’s greatest architects, this mansion was erected between 1784 and 1786 for the wealthy Pashkov family. The central building is topped by a round belvedere and flanked by two service wings. The current building is a reconstruction of a private mansion that was badly damaged in the disastrous fire of 1812, which swept through the city as the first of Napoleon’s troops were arriving.
In the 19th century it housed the Rumyantsev collection of art and rare manuscripts and a library, and from 1925it has been a part of the Lenin Library, the second largest in the world, after the Library of Congress, and a magnet for international scholars, even during the Soviet era. Following the 1917 revolution, the museum was closed and the art collection was transferred to the Hermitage in St. Petersburg and the Pushkin Museum of Fine Art. The manuscripts were donated to the Russian State Library which now owns this building. Pashkov House is off-limits to the general public, but after years of neglect, the government finally pledged funds for restoration work, which began in 2003. Money for the state-financed restoration finally started to flow after the visit from Vladimir V. Putin, the former president.
In a city where architectural monuments are readily torn down or gaudily renovated beyond recognition, Pashkov House, which reopened in October after an $80 million renovation, is one of the few restoration projects lauded by preservationists.
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Posted in Architecture, Culture, Historic Preservation, Peoples' Places, tagged Architecture, Art, Cities, Culture, Entertainment, Frescoes, Heritage Hotels, Historic Preservation, History, India, Interiors, Life, Museums, Painter, Paintings, People, Photography, Places, Preservation, Rajasthan, Reuse, Time, Towns, Travel, Videos on February 12, 2008|
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How big can you imagine an open air gallery to be? Well, here you are… 13, 785 sq. km [5130 sq. miles] of painted walls, havelis, palaces and forts in the vast expanse of the desert of Rajasthan in India. Town after town, street after street, home after home has been painted with frescoes depicting characters and stories from Indian mythology, history, vernacular culture and life, erotica, and even imaginary and hilarious depictions of science fiction!
This is the Shekhawati region of state of Rajasthan in India. Established and ruled by the Shekhawat rajputs for centuries till independence of India in 1947, it was the largest Nizamat of Jaipur State. With more than 120 villages, 50 forts and palaces, it was definitely the most happening place for architecture and art development. Few of these have been restored or remodeled to be reused as heritage hotels or museum or schools. Others have become obscure or peeled off.
Why paint the walls of the towns? Neighboring Marwar region influenced the Shekhawati region a lot. The marwar community was rich, and prosperous. This was the ‘business class’! For over a century between 1830 and 1930, marwaris or the business community made Shekhawati their home, before they started migrating to other parts of India. Family names that are now associated with some of India’s big business houses, originated here. As the ultimate symbol of their opulence, the Marwaris commissioned artists to paint those buildings. Hundreds of these courtyard houses cropped up in the desert landscape, each of them covered inside out with colorful frescoes. This art was kept alive for almost 300 years. Eventually it started falling apart as more and more families from this community started settling elsewhere, and these houses were locked up to ruins.
How? In Shekhawati, the fresco painter or the chiteras belonged to the social class of potters or kumhaars. The technique employed for the Shekhawati frescoes was elaborate, and comparable to the Italian frescoes of the 14th century. The colors were mixed in lime water or lime plaster and were then made to sink into the plaster physically through processes of beating, burnishing, and polishing. All the pigments used were prepared with natural and primarily household ingredients like kohl, lime, indigo, red stone powder, and saffron. Cow’s urine was dried up to get the bright yellow!
There are instances where these frescoes were complimented with gach [mirror] work and intricately carved wood work. Some merchants and ministers even got the havelis painted in gold and silver. There are havelis which have frescoes which amuse everyone- showing King George and Queen Victoria of England in an Indian landscape! Some even illustrate modern machinery of the times such as airplanes, cars, telephones et al!
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Posted in Architecture, Green Architecture, News Ink, tagged Architecture, Cities, Culture, Energy, Environment, Green, History, Life, news, People, Politics, Protest, Thoughts on February 3, 2008|
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July 2007- Britian had announced that it will initiate ‘zero carbon’ architecture and town planning by building 5 ‘Ecotowns’ to meet their demand for 2 million new homes by 2016.
‘The towns, each with a minimum of 5,000 to 10,000 houses, will be built to meet zero carbon standards and will each showcase a specific project promoting energy preservation or green technology. Projects to be showcased could include use of communal heat pump systems or car pool schemes,’ the Communities and Local government office said.
UK government even launched a Architecture Design Competition and invited entries for design and layouts of Ecotowns.
You can view the Ecotown prospectus here.
While the government offices move ahead with their plans, people have opposed the plans. People of Warwickshire threaten to march in protest. OPPOSITION to a proposed 6,000-home eco-town at Long Marston also intensified this week as a second Conservative MP came out against the scheme and a petition appealing directly to Prime Minister Gordon Brown appeared on the website of 10 Downing Street. You can read more here: Risible Claims for Ecotown and Protest over plans for Ecotown
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Posted in Architecture, News Ink, Peoples' Places, tagged Architecture, Building, Bussiness, Cities, Culture, Demolition, History, korea, Life, news, People, Places, ryugyong, ryugyong hotel, Skyscraper, Thoughts, Travel on February 3, 2008|
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This week while China was in the limelight with its ‘blue box beating with a green heart’- the Water Cube ‘National Aquatics Centre in Beijing’, Korea’s one-hundred-and-five-story Ryugyong Hotel got a severe blow in the architecture world. It was declared the ‘worst building ever’. Esquire says ‘Picture doesn’t lie.
‘the one-hundred-and-five-story Ryugyong Hotel is hideous, dominating the Pyongyang skyline like some twisted North Korean version of Cinderella’s castle. Not that you would be able to tell from the official government photos of the North Korean capital — the hotel is such an eyesore, the Communist regime routinely covers it up, airbrushing it to make it look like it’s open — or Photoshopping or cropping it out of pictures completely’
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Posted in Historic Preservation, Peoples' Places, tagged Adaptive Reuse, Architecture, Cities, Culture, Historic Preservation, History, Life, People, Recycle, Thoughts on January 28, 2008|
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Among the admirable and enjoyable sights to be found along the sidewalks of big cities, the ingenious adaptations of old buildings for new uses is the most enduring one. A glance on the patina of the old walls of these buildings evokes nostalgia. For a moment, the stone whispers the stories of the days long gone, the life stories of the generations of people who have lived in and around it. These buildings give a character to the neighborhood, visually pleasing and cohesive. It is in this context, the old buildings play an irreplaceable role in creating an image of the city: a sense of place, a sense of belonging.
How would it be to wake up one morning to find that your neighborhood has been replaced by the ‘modern’ buildings? The familiar old building that you walked past everyday and got accustomed with, is no longer there to offer solace. You feel you have lost a friend; you feel you have been alienated in your own home. What surrounds you now are the new ‘high-tech’ buildings, which are like babies- charming but nothing to tell.
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