Posted in Architecture, Discussion, tagged Aditya Prakash, Chandigarh, India, Le Corbusier, Modern Architecture, news, Pierre Jeanneret, Tagore Theater, Technology on September 15, 2008|
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Tagore Theater: Essence Is In Its Interior Design and Layout
Tagore Theater of Chandigarh in India, designed by Ar. Aditya Prakash, is one of the master prices of modern architecture and symbolic of Chandigarh’s architecture style.
Dr Vikramaditya Prakash of University of Washington shares the very interesting story of how the Tagore Theater of Chandigarh was designed, built, and named. The key players here were Ar. Aditya Prakash, Le Corbusier, and his cousin Pierre Jeanneret along with famous film personalities Prithviraj Kapoor and Zul Vellani.
Tagore Theater: Story of its Design
Conversation: Ar. Aditya Prakash, Le Corbusier, and Pierre Jeanneret
Tagore Theater has been redesigned. However, should it or rather can it still be called ‘Tagore Theater’? What defines building’s identity?
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Posted in Architecture, News Ink, tagged Aditya Prakash, Architecture, Art, Chandigarh, India, Indian Modernist, Le Corbusier, Modern Architecture, Nehru, news, Painter, Paintings, Theatre on August 27, 2008|
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Ar. Aditya Prakash, Chandigarh
On August 12, 2008 city of Chandigarh (India) lost an eminent architect, designer, painter, a theater enthusiast, academician, Le Corbusier’s associate. He was Ar. Aditya Prakash.
News Release- Aditya Prakash, Indian Modernist
He was on his way to Mumbai for staging the play Life Never Retires, created by G.S. Channi, in which he played the central character. He died on the way, at Ratlam station.
Aditya Prakash is well known in the world of modern architecture as Le Corbusier’s associate in the planning, design and building of the Chandigarh Capital Project which was initiated by the first Prime Minister of India, Jawaharlal Nehru.
Known internationally for its architecture and urban planning, Chandigarh is home to numerous architectural projects of Le Corbusier, Pierre Jeanneret, Edwin Maxwell Fry, Jane Drew, Matthew Nowicki, and Albert Mayer. Nehru famously proclaimed Chandigarh to be “unfettered by the traditions of the past, a symbol of the nation’s faith in the future.”
Le Corbusier with Pandit Nehru
Designed in a grid pattern, Chandigarh stands out from the rest of India with its clean lines, broad avenues and imposing government buildings built on a vast scale in concrete with columns, ramps, sculpted roof lines and screens to protect against the punishing sun.
Prakash joined the Chandigarh Capital Project in November of 1952 as one of the nine architects on the team. He had just finished studying architecture at the London Polytechnic, and became an A.R.I.B.A. in 1951.
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Posted in Architecture, News Ink, Peoples' Places, Super-Architecture, tagged Business, Cybertecture Egg, Green Architecture, Holistic Architecture, India, James Law Cybertecture International, Mumbai's Cybertecture Egg, news, Super-Architecture, Technology, Vijay Associate (Wadhwa Developers) on July 23, 2008|
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Mumbai's Cybertecture Egg
India has been on world architecture news for a while now. Antilla has hardly left the headlines, Cybertecture Egg has already taken a place on top.
Talk of intelligent design- this building will surpass all that fall in this category. You will see it built by 2010.
The concept. The concept was inspired by considering the world as an ecosystem allowing life to evolve. Elements of the design and intelligence systems will work together to give the building’s inhabitants the ‘best space to work in’.
The design. The 32,000 sq m egg-shaped building will accommodate 13 floors of offices bringing together “iconic architecture, environmental design, intelligent systems, and new engineering to create an awe-inspiring landmark in the city.”
Within the building, there will be a series of innovative systems such as ‘cybertecture health’ which is designed to keep track of the inhabitant’s health including blood pressure and weight. The data collected may be retrieved and sent to a doctor if deemed necessary.
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Posted in Architecture, Green Architecture, News Ink, Super-Architecture, tagged Architecture, Design, Green Architecture, Hirsch Bedner Associates, India, Mansion In Air, Mukesh Ambani, news, Nita Ambani, Perkins + Will, Reliance, Technology, World's First Billion Dollar Home on May 4, 2008|
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To everyone’s surprise, price tagged at $ 2 Billion, Antilla (named after the mythical island) is in India and is world’s first billion dollar home. Indeed, like its name, it houses stuff that surrounds myth!
Owner is India’s richest, Mukesh Ambani of Reliance fame whose net worth was 43 Billion in March of this year and was the 5th richest in the world.
The only remotely comparable high-rise property currently on the market is the 70 million dollar triplex penthouse at the Pierre Hotel in New York, designed to resemble a French chateau, and climbing 525 feet in the air.
When the Ambani residence is finished in January, completing four years of design and construction, it will be 27 story and 550 feet high (height which normally houses 60 floors) with 400,000 square feet of interior space. (Click on the picture to see a video).
However, all of this has not been without its share of controversies. Antilla is being built on land sold to Ambanis’ to be used as orphanage by Waqf Board.The land measuring 11793 sq yards was sold in 2004 by the trust for a charitable purpose of looking after the destitutes and orphan children belonging to the Khoja Mohammedan community. The land was given to the Maharashtra State Board of Waqf by Jivagi Raje Scindia in 1957. The MoU was signed with four companies namely Antillia Commercials, Saphire Realtors, Rockline Constructions and Baun Foundation trust.
The Waqf Board has told the Supreme Court that it sold the property thinking it was to be used for an orphanage and that commercial buildings are not allowed on Waqf land. Property having a market value of Rs 400 crore was sold only for Rs 21.05 cr to M/s Antillia Commercial, a company of Reliance group of Industries. Rs 16 crores were also paid to Waqf Board for No Objection Certificate.
The Supreme Court on Friday decided not to intervene in the construction of the building on Waqf board land in Mumbai and has directed the matter back to the Bombay high court.
Critics have also said that showing off such extravagant wealth in a country rife with poverty is insensitive and ethically questionable. This is excessive and ostentatious given that more than 65 percent of Mumbai’s 18 million residents live in tenements.
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Posted in Architecture, Culture, Historic Preservation, Peoples' Places, tagged Architecture, Art, Cities, Culture, Entertainment, Frescoes, Heritage Hotels, Historic Preservation, History, India, Interiors, Life, Museums, Painter, Paintings, People, Photography, Places, Preservation, Rajasthan, Reuse, Time, Towns, Travel, Videos on February 12, 2008|
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How big can you imagine an open air gallery to be? Well, here you are… 13, 785 sq. km [5130 sq. miles] of painted walls, havelis, palaces and forts in the vast expanse of the desert of Rajasthan in India. Town after town, street after street, home after home has been painted with frescoes depicting characters and stories from Indian mythology, history, vernacular culture and life, erotica, and even imaginary and hilarious depictions of science fiction!
This is the Shekhawati region of state of Rajasthan in India. Established and ruled by the Shekhawat rajputs for centuries till independence of India in 1947, it was the largest Nizamat of Jaipur State. With more than 120 villages, 50 forts and palaces, it was definitely the most happening place for architecture and art development. Few of these have been restored or remodeled to be reused as heritage hotels or museum or schools. Others have become obscure or peeled off.
Why paint the walls of the towns? Neighboring Marwar region influenced the Shekhawati region a lot. The marwar community was rich, and prosperous. This was the ‘business class’! For over a century between 1830 and 1930, marwaris or the business community made Shekhawati their home, before they started migrating to other parts of India. Family names that are now associated with some of India’s big business houses, originated here. As the ultimate symbol of their opulence, the Marwaris commissioned artists to paint those buildings. Hundreds of these courtyard houses cropped up in the desert landscape, each of them covered inside out with colorful frescoes. This art was kept alive for almost 300 years. Eventually it started falling apart as more and more families from this community started settling elsewhere, and these houses were locked up to ruins.
How? In Shekhawati, the fresco painter or the chiteras belonged to the social class of potters or kumhaars. The technique employed for the Shekhawati frescoes was elaborate, and comparable to the Italian frescoes of the 14th century. The colors were mixed in lime water or lime plaster and were then made to sink into the plaster physically through processes of beating, burnishing, and polishing. All the pigments used were prepared with natural and primarily household ingredients like kohl, lime, indigo, red stone powder, and saffron. Cow’s urine was dried up to get the bright yellow!
There are instances where these frescoes were complimented with gach [mirror] work and intricately carved wood work. Some merchants and ministers even got the havelis painted in gold and silver. There are havelis which have frescoes which amuse everyone- showing King George and Queen Victoria of England in an Indian landscape! Some even illustrate modern machinery of the times such as airplanes, cars, telephones et al!
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